Friday, August 30, 2013

My Review of The Almond Tree in

The Daily Star
-----------------------------------------
A Case for Palestine

Before the Zionists came to stake claim on Palestine as ‘a land without people waiting for a people without land’, Palestine was a cosmopolitan, multicultural and multi-religious society with Christians, Muslims and Jews living together peacefully. The creation of Israel in 1948 was the catastrophe for the native Palestinian Christians and Muslims as most of them were either massacred or were forced to flee. Later, in 1967, the Israeli forces occupied whatever was left as the truncated version of Palestine. The interesting part of the story is that despite being the victims of the Israeli atrocities and brutal military occupation, the Palestinians are seen as the antagonist of the Middle East conflict.  The pro-Israeli writers and media managers so far have been able to convince the west that the Palestinians are responsible for the violence in the Middle East. But, things are changing fast as many
The Almond Tree Michelle Cohen Corasanti Garnet Publishing (UK)
The Almond Tree
Michelle Cohen Corasanti
Garnet Publishing (UK)
Palestinians as well as Jewish writers and artists are coming with the Palestinian counter -narratives of the Israel-Palestine conflict. Recently published novel The Almond Tree by Michelle Cohen Corasanti is going to be a very significant book for changing the way Americans look at the Israel- Palestine issue.  Jewish American Michelle had studied at Hebrew University, Jerusalem. And after spending seven years in Israel, she could know about the Middle Eastern history and was moved by the pathetic conditions of Palestinians under the Israeli occupation. And in order to tell the story of Palestinian people to the world, she decided to write this novel. In her own words, she wanted to shine a light on the Israeli-Palestinian conflict and show that there was a better way. .
Told in the voice of a gifted Palestinian boy called Ichmad Hamid (read Ahmed Hamid), the novel opens with a heart rendering scene of Ichmad’s little sister running after a butterfly when she is blown to pieces as she steps on a landmine planted by the Israeli forces. Later, Ichmad’s father, Baba, who is an incorrigible believer in the idea of peace and non-violence, is jailed by the Israelis when a cache of arms buried by the Palestinian freedom fighters, is discovered in the backyard of their house. Their humble house is also blasted by the Israeli soldiers making them homeless. In absence of their father, Ichmad and his brother, Abbas, have to work as construction workers for Israelis where a fanatic Jew pushes Abbas from scaffolding making him crippled for the rest of his life. Even, after losing everything and even after facing all the possible adversaries in his life, Ichmad doesn’t give up, and continues to pursue his dream to educate himself. And against all constraints, he succeeds. Abbas on the other hand takes a different route and joins a political group which is fighting against the Israeli occupation.
The Almond Tree is a story of the triumph of human spirit. It is also a story of a man’s unshakeable faith in humanism and his refusal to hate someone who has been the cause of his miseries. The story is spell- binding with universal appeal and has potential of becoming an international bestseller and can do for Palestinians what The Kite Runner did for Afghanistan. It humanises a culture and brings characters from a distant land to life, with a family united by love but divided by their individual beliefs. From Ichmad Hamid’s traditional mother, to his father, Baba, who believes in the power of education, the crux of the family’s story lies in the growing dispute between two brothers, Ichmad and Abbas, who choose very different paths in order to create a new future.
Finally, the message the author wants to convey through this book is how strong the Palestinians and Israelis could be if they worked together to advance humanity. She also wants to remind the Israelis of what Rabbi Hillel (30BC-10AD), one of the greatest rabbis of the Talmudic era had said two millennia ago. Rabbi Hillel had said, ‘That which is hateful to you, do not unto another: This is the whole Torah. The rest is commentary.’

Friday, August 23, 2013

My Review of INDIA SINCE 1947 in The Friday Times




On the eve of the Indian independence, many doomsayers foretold that the entity called India would not survive too long. They believed that owing to its religious, ethnic and linguistic diversities, it would fragment into many mini-nations. Contrary to their predictions, India not only survived but also emerged as an economic power to reckon with. But the big question is whether India has been able to achieve what the founding fathers of the nation had envisaged for it in 1947. If you throw this question to different set of Indians, the answers would be dissimilar. Some people will tell you about a shining India vis-a-vis its impressive growth rate while others would draw your attention towards a dark underbelly of underdevelopment and deprivation. 'India Since 1947: looking Back at a Modern Nation' tries to find answers to such questions and explores how 'the Idea of India' has fared during the last 66 years.



Edited by Atul Kumar Thakur, this anthology has many renowned writers, economists, environmentalists, bureaucrats, politicians and journalists chiming in with their own unique perspectives on India.


Ram Chandra Guha, the eminent historian, opens the book with a highly readable essay on bilingual intellectuals; writers and thinkers who were/are equally at home with English as well as at least one of the Indian languages. The best examples are Mahatma Gandhi who wrote in Hindi, Gujarati and English with equal ease and Rabindranath Tagore whose translations of his own work 'Gitanjali' fetched him a Nobel Prize. While listing the causes of the decline in the numbers of 'linguidextrous' intellectuals, he writes, ''The decline of the bilingual intellectual in contemporary India is thus a product of a combination of many factors: public policy - which emphasised the mother tongue alone; elite preference- which denied or diminished the mother tongue altogether; social change- as in new patterns of marriage; and economic change- as in the material gains to be had from a command of English.'




In his essay 'India: Where Democracy has Gone Wrong', Prem Shanker Jha ponders over the issue of genesis of corruption in India. 'The origins of corruption', he says, 'can be traced in two deep flaws in the constitution India adopted in 1950. The first is the omission of a system for meeting the cost of running a democracy i.e. the entire process of selecting and then electing the people representatives. The second is the failure to enact provisions that would convert a bureaucracy that had been schooled over a century into believing that their function was to rule the people into its servants.' This reviewer can't agree more. Undoubtedly, the political sleaze and the bureaucratic arrogance have been the biggest hurdles in the progress of India.

Politicians (with the exception of the leftists), businessmen and the purveyors of crony capitalism have always praised the 'meteoric rise' of Indian economy after the liberalisation policies of 1990s. Growth rate and direct foreign investments have now become the only criteria to measure development. The worsening conditions of the poorest segments of Indian society are not part of any discussion about India's growth story. If you utter even a single word about the inclusive growth, you are either branded anti-development or are bracketed with the Ultra-Maoists. This inequitable economic growth, however, bothers Amartya Sen and Jean Dreze. In their essay 'Putting Growth in its Place', they strongly advocate for a development model where each and every Indian partakes of the fruit of the progress. Right now, 'An exaggerated concentration on the lives of the minority of the better-off, fed strongly by media interest, gives an unreal picture of rosiness of what is happening to Indians in general, and stifles public dialogue of other issues. Imaginative democratic practice, we have argued, is essential for broadening and enhancing India's development achievements.' 



The rise of Naxalism or Maoism is a side effect of such sloppy development models which widen the gap between the 'haves' and the 'have-nots'. In 'India: Underlined in Red' Atul Kumar Thakur delineates the factors that breed extreme ideologies like Naxalism in India. Though, he is unequivocal in denouncing violence to achieve a political end, he accepts that in some clusters the Naxalite movement has altered the social and political power structures and has empowered the oppressed classes. An incisive and perfectly balanced essay, it is written surprisingly by a 29-year old.



Beyond the politics and the economy, there is a delightful article by India's best cultural historian Pran Nevile about K L Saigal and his legacy. It is a well-known fact that India's three greatest singers of the post-independence era, Rafi, Mukesh and Kishore had started their musical careers by imitating the great Saigal. But the reviewer wishes that the editor had included more on the contemporary music scene in India since Saigal sahib was a pre 1947 phenomenon. South Indian singing legends like Yesu Das or Ghantasala come to mind. 



There are four articles out of a total of thirty that disappoint us, because they are either hurriedly written pieces or rely more on polemics than in-depth analysis of serious issues. 



Ultimately, this is a great collection of essays about post-Independence India, outlining policies or ideas that worked in India as well as what went wrong during the last six and half decades of its post-colonial existence. It is not only useful for Indian policy makers but can also be helpful to leaders of other South Asian countries that share a history with India.




  

Sunday, August 04, 2013

My Second Novel

Dear Friends, Just started my second novel. Need your honest feedback to know if it is working. (Anonymous comments are also welcome)

MR. ORWELL’S HOUSE

ONE
The whiskey tastes awfully bitter but its after-effect is just wonderful. My worries melt way the moment I finish my first peg.
A gorgeous girl is sitting in front of me, smoking. ‘Mr. Khan, you have hired me for two hours. One hour is already gone.’ The girl says while stubbing out her cigarette in an ash-tray. ‘Should I start undressing?’ She adds matter of factly.
‘Yes!’ I nod as I fill my glass.
Underneath her red top and knee-length indigo skirt she has a perfect figure. She unstraps her brasserie exposing her pink-tipped breasts which are perfectly round as if two upturned soup bowls are placed on her chest. Silicon implants, I suspect and feel excited anticipating her next move. She takes off her black panties too, and slips into my bed. For next half an hour, she works with her hands, mouth, lips, tongues and other delicious parts of her body and I become a splotch of wax on a hotplate, ready to melt, evaporate and vanish into the thin air.
She is gone but her perfume clings to my senses, and her presence lingers on, like a bad hangover, reminding me of my sins. I bolt the door and lie on my bed with the guilt crawling all over my conscience. I have broken two religious taboos: I have consumed alcohol, and I have slept with a woman other than my wife.  I try to dismiss these uncomfortable thoughts- don’t I consider myself as an agnostic, someone who doesn’t believe in the strict religious definitions of vices and virtues? But, I can’t… Just, I can’t.
Slumber catches up with me soon. In my dream, my wife, Heba -dressed in an immaculate white salwar suit- is looking at me with her tear filled accusing eyes.
Just about the time dawn is peeping into my room, a ringing telephone cuts through my sleep, startling me. I rub my eyes again and again, trying to organize my thoughts through the surreal, multi-hued haze around me. The hangover is thick and persistent and not going to vanish so quickly. The phone falls silent.

Anxiety returns to haunt me when I think of my father. I am not even sure if Abbu is alive. I look around for the comfort of the bottle when suddenly there is knocking on the door.
Who has come so early? Wondering, I drag myself out of bed. As I pull the door open, a huge punch lands on my face. Ouch! I stagger but manage to keep myself on my feet. They barge into the room. One of them shuts the door. They are four men, all dressed in trousers and t-shirts, their faces covered with handkerchiefs and their eyes have embers of fury. They start thrashing me: punches on my face, chest and tummy, kicks on my legs and back. In between, they inundate me with the questions.
‘What is your real name?’
 ‘Are you an Indian or a Pakistani?’
‘Are you part of Indian Holy Warriors Terrorist Group?’
Who are you? And why are you beating me? What wrong I have done? I yell while stepping back when one of them hits my head with the butt of his gun. I collapse on the ground and begin to lose consciousness. The last three words I hear are ‘Search the room.’

**
            Returning to my senses and I find myself lying near the door of the toilet. The stench rising from the unflushed commode fills my nostrils. There is excruciating pain in my left leg and in my ribcage. My head is heavy like cotton bales in the rain. My eyes are bloody and blurry.  Mustering all the strengths, I try to stand up but as my left foot touches the ground, a sudden searing pain makes me scream as if somebody had stabbed a red-hot iron rod into my left calf.  Swirling like a rhythmic gymnast, I fall on the mosaicked floor, my head hitting the leg of a wooden chair. My eyes get shut and I am in a dark tunnel. Images, moving in fast cuts like a trailer of a movie, flood my mind.
I see a milestone with ‘Motihari 0.5 Km’ engraved on it. Then, a bullock cart comes into the view. It is trudging along a muddy road negotiating the potholes of different shapes and sizes. A dark and stout fellow sits on the driving seat, prodding the oxen between their hind legs with a stick. Just behind him is a tall, lanky young man with reddish white skin, deep brown eyes and meagre beard on his chin. In the canopied part of the bullock cart is an elderly woman in a white sari, holding a beautiful and hugely pregnant young woman who is bellowing with pain.
Is it a dream? Am I hallucinating? Or are these some old memories? How can I have memories of an event which happened before I was born? But, there are inherited memories. We also borrow memories. The memories can be fake too—something you have never seen or experienced but in course of time you start believing that you have.  I have read these lines in a Booker winning novel by a British writer. I don’t remember the name of the author.
The man with the beard is my father, Abbu, the pregnant woman my mother, Ammi, and the old lady my grand ma, Dadi, my father’s mother. This scene was played out on the evening of June 1970, just before I was to arrive in this world.





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Sunday, July 07, 2013

My Friends and Blog readers

Hi Friends,

 My blog gets hits from more than 100 countries. I have visitors from Chile to China, Honduras to Bulgaria, and many more. I would love to hear from my blog visitors.

Please send your feedback at abdullah71 @gmail. com

List of  countries of visitors during June 2013


Sunday, June 16, 2013

FULL TEXTS OF INTERVIEW of Michelle Cohen Corasanti


An Interview of  Jewish American author Michelle Cohen Corasanti about her book The Almond Tree (The Edited Version of this Interview had appeared in The  HINDU LITERARY REVIEW)

Michelle Cohen Corasanti is author of The Almond Tree. A Jewish American Michelle had studied at Hebrew University, Jerusalem and Harvard University, USA. She uses the Israel-Palestine conflict as the backdrop of her novel. While growing up in a pro-Israel Jewish family, she learned that after the Holocaust, the Jews found ‘a land without a people for a people without a land’ and made the desert bloom. Later, after spending seven years in Israel, she could know about the Middle Eastern history and was moved by the pathetic conditions of Palestinians under Israeli occupation. And in order to tell the story of Palestinian people to the world, she decided to write a novel.

Hailed as another The Kite Runner by both critics and readers, Cohen Corasanti’s novel tells an inspiring story of a poor Palestinian boy called Ichmad  who despite living under the ruthless Israeli military rule, achieves great success in his life. On Amazon.com, the book is among the bestselling debut books. It is a must read for anybody interested in understanding the different aspects of the Israel-Palestine problem.

  In the author’s words: The Almond Tree humanises a culture and brings characters from a distant land to life, with a family united by love but divided by their personal beliefs. From Ichmad’s staunchly traditional and at times overbearing mother, to his father who believes in the power of education, the crux of the family’s story lies in the growing dispute between two brothers, Ichmad and Abbas, who choose very different paths in order to create a new future.

In an interview with Abdullah Khan, the author Michelle Cohen Corasanti talks about herself, her book and the Israel-Palestine conflict. Here are the excerpts…



1. What made you write The Almond Tree?

I decided to write The Almond Tree when I realised that a writer can reach into readers’ hearts and change them forever. 

As a Jewish American, I was taught that after the Holocaust the Jews found ‘a land without a people for a people without a land’ and that Jews went to “the land of Israel” (i.e. Palestine) and made the desert bloom. In high school, I went to Israel to study Hebrew and Judaism. I soon learned that Palestine had neither been a land without a people nor all desert. Palestine had been the home of a multi-religious society that had a high standard of living and a rich culture and heritage.

I lived in Israel for seven years and witnessed the kind of miserable life the Palestinians lead there. Returning to the US to join Harvard University as a student of Middle Eastern studies, I wanted to devote my life to bringing about peace, equality, freedom and justice between the Palestinians and Israelis. That was in 1989, the world wasn't ready to hear my message. I went on to law school to specialize in international and human rights law and was also doing my PhD at Harvard in Middle Eastern studies, but I felt impotent.  Feeling helpless, I buried my desires for over a decade until I read Khaled Hosseini’s The Kite Runner. In it he wrote that religion, history and politics can’t really be overcome. That’s when I got the idea for my book because I had seen those very obstacles overcome between an Israeli and a Palestinian, two scientists --one Israeli Jew and the other a Palestinian Muslim --who worked together, at Harvard. I decided I would use that seed to write a story about how strong the Palestinians and Israelis could be if they worked together to advance humanity. I believe no one is free until we all are free. There is no peace without justice and a man’s worth should not be measured by his religion. I believe in a world in which we work together to push each other up. Through my novel, The Almond Tree, I wanted to shine a light on the Israeli-Palestinian conflict and show that there was a better way.


2. What made you choose a Palestinian boy as the protagonist of your debut novel? Being a Jewish American, wasn’t it difficult for you to write in the voice of a Palestinian?

 I got the idea for my story from a Palestinian man I met at Harvard. I had met his family, had seen where he came from and felt I knew who he was at the core. So, the voice of a Palestinian boy to tell my story was a natural choice.  I had many Palestinian friends in Jerusalem. I heard their stories. I bore witness to their lives – where they came from, how they were treated, what their dreams were.  I could see the world through their eyes and so it was not difficult for me to become the Palestinian boy.

3. Novelist Robin Yassin-Kassab in his review of Susan Abulhawa’s book Mornings in Jenin in the Sunday Times, London says. “The Zionist story has Palestine before the state of Israel as “a land without a people awaiting a people without a land.” Writers from Mark Twain to Leon Uris, as well as Hollywood studios and certain church pulpits, retell the tale. But Palestinians, in the West at least, lack a popular counter narrative. Palestinians are reported on, met only in the news. “Do you agree with this statement? If yes, why is it so?

I definitely agree with this statement.  After the Holocaust, many western countries felt guilty when the magnitude of the atrocities committed against the Jews was revealed, but at the same time, they didn’t really want to take in so many Jewish refugees. So the west was quite happy to give the Jews Palestine and to buy the fallacy that Palestine was a land waiting for a people.  Mark Twain did not make it as a news reporter because he loved to make up stories to make his material more interesting. When you want people to believe a lie, you look for justifications anywhere you can. The west found them with Mark Twain and the novelist Leon Uris.
As Jewish Americans, we would give money to plant trees in Israel every year to show how we were making a barren land bloom. The west didn’t want to hear the Palestinian narrative because they preferred the Jews to be in Palestine. Furthermore, the first Zionists were from the west. Initially the Zionists only wanted western Jews in Israel, not the Jews from the east. After the Holocaust, many Jews preferred to go to the UK, the US or even stay in other places in Europe. When the western Zionists realized after 1948 that they needed more Jews, they decided to recruit them from the east and de-Arabize them. 
The Western Jews spoke western languages, were well organized, had money and made the story they wished to tell the world whereas the Palestinians mostly spoke Arabic and didn't have anyone to tell their story to the western audience. As time went on, the Zionist narrative was the only one heard. In order to further justify the Jewish state, Palestinians, Arabs and Muslims were portrayed as anti-Semites, radical Muslims, Jew-haters; anti-western jihadists much like the Nazis dehumanized the Jews.

Zionism is a concept of Jewish nationalism and Judaism is a religion with completely different principles and values. Zionists bound Judaism with Zionism so as to gain support from world Jewry as well as to label anyone who criticized Israel as anti-Semitic with all the implications to the Holocaust.  Many were afraid to say anything that went against the Zionist narrative.
When I read westerners’ reviews of my novel The Almond Tree, many start with, remember the author is Jewish to justify believing what I say.  Now there a many Jewish people like Professor Ilan Pappe, Professor Noam Chomsky, Dr. Norman Finkelstein, Miko Peled, Amira Haas and others who are  saying what the Palestinians have been saying all along – that Palestine was not a land without a people and the truth is finally being believed.

4. How well has The Almond Tree been received in the US and elsewhere? What kind of feedback have you gotten from your readers, especially the Jewish ones?

I’ve been shocked to see that The Almond Tree is being embraced by all sides of the conflict as well as those with no involvement whatsoever. My story is about a boy, who grows up in a brutal environment and despite it all, goes on to achieve what others have only dreamed. The Almond Tree is about forgiveness and letting go of hatred. I show how strong we are when we celebrate our differences and work together to advance humanity instead of focusing on our differences and destroying it. I don’t try to show who is right and who is wrong and who did what to whom. I just tell a gripping story about how powerful we can be when we work together. I think it’s hard to find fault with such themes. When I wrote The Almond Tree, I wanted to cast as wide a net as possible so I hit on as many themes as possible. As a result, everyone finds something in The Almond Tree.  My father-in-law who was born during the depression, his father was a new immigrant, they lost their home, but he went on to achieve great success in business, saw himself as my Palestinian protagonist.

I was expecting a backlash from Jewish readers, but I have found the opposite. I have gotten emails from Jewish readers telling me how courageous I am, that they are reading my book in their Temple book clubs, that The Almond Tree was brilliant because it took that personal of a story to show them what Zionism did to the Palestinians and that they are embarrassed as Jewish Americans not to have ever thought about the Palestinian because our entitlement to Israel as a result of the Holocaust is drilled into our heads our entire lives.

5. As a writer, what do you wish to achieve through your writings? How is your book going to help the cause of peace in the Middle East?

As a writer, I hope my writings can shine a light on the Israeli-Palestinian situation. I would like to debunk fallacies. I want to help the Palestinian narrative to be heard because I don’t believe one can solve a conflict if they only hear one side. I hope I can help expose the truth because there can be no peace without justice which is based on the truth. 


6. What do you mean by ‘dehumanising the Palestinians’? Please elaborate.

It is easier to justify oppressing a people, if you dehumanise them. The Nazis did that to the Jews. For example, the Jews were put into ghettos and denied basic necessities. When you can’t feed your children that brings out the worst in humanity. Forced to live that way, one begins to look less like human which makes it easier for the oppressor to kill or persecute you. Another way of dehumanizing is to attribute negative characteristics to a people. The Nazis claimed the Jews were evil. They forced Jews to live in horrible conditions and then said they live like animals.

Palestinians have been dehumanised. For example, in Gaza, Israel has them locked in an open-air imprisoned, denied basic necessities and is one of the most densely populated places on the planet and when some of them fire crude rockets at their oppressors, they are considered to be terrorists. I would have said uneducated Americans think that the Palestinians are culturally inferior because of the way they are forced to live under Israeli military occupation, but Americans like our Presidential candidate, Mitt Romney, could not understand that their conditions are due to circumstances and not culture. Had he seen how the Jews lived in the concentration camps, I don’t think he would have thought our culture was the same as so advanced.
A great example is Gilad Shalit. He was a soldier in a tank unit in the Israeli military in occupied Palestine and was captured while actively on duty as an occupying solider. We knew everything about him. His mother, his father.  His life. Hundreds of Palestinian children are held prisoners in Israel, yet no one knows anything about them. In an extremely rare occurrence, a news reporter was able to film a twelve year old boy that Israel held in an adult Israeli prison with Israeli criminals for two years before the boy was even charged with a crime. During that period, he tried to commit suicide twice. He was finally sentenced to six months. When he was released, he provoked his own death. The root of the problem is that in the west Palestinian lives are viewed to matter less than Israeli ones. I tried to show that these Palestinians were not nameless, faceless people, but mothers, fathers, sisters, brothers. That we all tuck our kids in at night and that every life is precious.

7. As you have already mentioned in some of your interviews that the aggressive policy pursued by Israel against the Palestinians is against the basic tenets of Judaism and that Zionism is actually harming Jews (Judaism). Please explain the difference between Judaism and Zionism to our readers. And, how does the concept of Zionism mould Israeli policy against Palestinians?

Judaism is a religion. We believe in one God. We follow the Ten Commandments such as thou shall not kill; thou shall not steal and the Torah. Rabbi Hillel (an ancient Jewish saint) summed up the Torah when he said, “That which is hateful to you, do not unto another. That is the whole Torah, the rest is just commentary.”
  Zionism is a concept of nationalism like Nazism. Zionism arose as a result of a few factors. Among them were: gentile attraction, gentile repulsion, the rise of nationalism and anti-Semitism at the time.  Zionists decided that the Jewish people needed their own country and set their sights on Palestine. In order to create a Jewish state in the heart of Arab lands at the end of the 19th C when the Jews in Palestine were about 4% of the population, the Zionists knew they would have to expel the native Palestinians and take their place.

 In order to do so, the Zionists had to kill and steal from the natives and commit many other despicable acts that are documented by Israeli historians from the left (Ilan Pappe) to the right (Benny Morris). A few of these polices include: land theft, home demolitions, mass imprisonments, administrative detentions, making life as miserable as possible for the natives so that anyone who wants any kind of life for their children will leave. As you can see, Zionism could not be further from Judaism.

8. What according to you is the solution to the Israel-Palestine conflict?

I believe there can be no peace without justice which is based on the truth. The Palestinians need to be compensated for all that they have suffered like the Jews were after the Holocaust. I believe in a secular democratic country on all of historic Palestine where everyone lives with equality and freedom. I believe the Palestinian refugees should be allowed to return. The Afrikaners didn’t want to let go of control and neither will the Israelis. That shouldn’t matter. We need to do what is right for all.  The majority of Israelis today in Israel came from the Arab world. They have very similar cultures; similar educations and more in common than many other people that live in the same country. This doesn’t have to be a difficult transition. This way, not only will the Palestinians be free, but also the Israelis will be free. One can’t be free when they are oppressing another people.


9. What is your next project as an author?

I hope to write another book that shows the benefits of peace between Palestinians and Israelis.





Saturday, June 01, 2013

Michelle talks about her book and Palestine


A voice for Palestine


  ABDULLAH KHAN

  • Author Michelle Cohen Corasanti.
    Special ArrangementAuthor Michelle Cohen Corasanti.
  • Cover page of The Almond Tree
    Special ArrangementCover page of The Almond Tree

Jewish-American author Michelle Cohen Corasanti tells Abdullah Khan why she chose to tell the Palestinian side of the story in her novel The Almond Tree.

Michelle Cohen Corasanti, a Jewish-American writer, uses the Israel-Palestine conflict as the backdrop of her debut novel, The Almond Tree, which tells the inspiring story of a poor Palestinian boy called Ichmad, who despite living under the ruthless Israeli military rule, achieves great success in his life. In this interview, the author talks about herself, her book and the Israel-Palestine conflict. Excerpts:
What made you write The Almond Tree?
As a Jewish American, I was taught that after the Holocaust the Jews found ‘a land without a people for a people without a land’ and that Jews went to ‘the land of Israel’ (i.e., Palestine) and made the desert bloom. In high school, I went to Israel to study Hebrew and Judaism. I soon learned that Palestine had neither been a land without a people nor all desert. Palestine had been the home of a multi-religious society that had a high standard of living and a rich culture and heritage. I lived in Israel for seven years and witnessed the miserable life the Palestinians led there. Through my novel, I wanted to shine a light on the Israeli-Palestinian conflict and show that there was a better way.
As a Jewish-American, wasn’t it difficult to write in the voice of a Palestinian?
I got the idea from a Palestinian man I met at Harvard. I met his family, saw where he came from and felt I knew who he was at the core. So, the voice of a Palestinian boy was a natural choice. I had many Palestinian friends in Jerusalem. I heard their stories. I bore witness to their lives — where they came from, how they were treated, what their dreams were.
Novelist Robin Yassin-Kassab once said, “Palestinians, in the West at least, lack a popular counter narrative. Palestinians are reported on, met only in the news.” Do you agree?
I definitely agree. After the Holocaust, the West was quite happy to give Palestine to the Jews and to buy into the fallacy that Palestine was a land waiting for a people.
The first Zionists were from the West and they spoke western languages, were well organised, had money and made the story they wished to tell the world whereas the Palestinians mostly spoke Arabic and didn’t have anyone to tell their story to the western audience. As time went on, the Zionist narrative was the only one heard.
How well has The Almond Tree been received in the U.S. and elsewhere?
I’ve been shocked to see that the book is being embraced by people on all sides of the conflict as well as those with no involvement whatsoever. I was expecting a backlash from Jewish readers, but I have found the opposite.
What do you wish to achieve through your writings?
I hope my writings can shine a light on the Israeli-Palestinian situation. I would like to debunk fallacies. I want to help the Palestinian narrative to be heard because I don’t believe one can solve a conflict if they only hear one side.
You have said that Zionism is actually harming Judaism. What is the difference?
Judaism is a monotheist religion. We follow the Ten Commandments and the Torah. Rabbi Hillel (an ancient Jewish saint) summed up the Torah thus: “That which is hateful to you, do not unto another. That is the whole Torah, the rest is just commentary.”
Zionism is a concept of nationalism that arose as a result of the rise of anti-Semitism at the time. Zionists decided that the Jewish people needed their own country and set their sights on Palestine.
What, according to you, is the solution to the Israel-Palestine conflict?
I believe there can be no peace without justice, which is based on the truth. The Palestinians need to be compensated for all that they have suffered just like the Jews were after the Holocaust. I believe in a secular democratic country where everyone lives with equality and freedom. I believe the Palestinian refugees should be allowed to return. The majority of Israelis in Israel came today from the Arab world. This way, not only will the Palestinians be free, but so will the Israelis. One can’t be free when oppressing another people.
What is your next project?
I hope to write another book that shows the benefits of peace between Palestinians and Israelis.

Review of BONDED in The Hindu



Labour problems

  ABDULLAH KHAN


Bonded; Harold M Bergsma, Rupa, Rs. 295
The HinduBonded; Harold M Bergsma, Rupa, Rs. 295

An interesting story that tapers off lamely

Even in the 21st century when slavery has been abolished, it exists in different forms; whether as East European escort girls or child labour in South Asia. Both India and Pakistan are dealing with the problem of bonded labour and it is not unusual to still hear of labourers being set free.
Harold M Bergsma’s Bonded chronicles the life of Masih, a poor Pakistani farmer. In order to escape the caste system, Masih has converted to Christianity but he cannot escape the vicious circle of poverty. His miseries continue as he is trapped in a debt bond by a cunning Muslim landowner, Mohammad Hakim. When Hakim dies, his son renews the bond and tricks Masih in to executing a new contract that enslaves his son to the owner of a carpet factory.
The story begins in an interesting way by introducing Haider, the son of Hakim. Haider has inherited his father’s fortune but he is not intelligent enough to understand the documents his father has left for him. His cousin, Chamak who can read and write, helps him. Chamak has been a sex slave as she was captured by her uncle’s enemies and escaped by murdering one of her tormentors. Yet Chamak is an optimist and dreams of starting her life anew. She is the most intriguing character in the novel but the author doesn’t use her much. The story focuses on Masih and his family.
But just as you begin to invest in the story and start sympathising with Masih, the story loses track and the book ends rather suddenly leaving the reader with a feeling of being cheated. It is almost as if the publisher has forgotten to add the last few chapters.
Bergsma had a thought provoking theme and attention-grabbing characters but squandered a good opportunity to tell a nice and engaging story. An attentive editor would never have allowed this to happen.

Sunday, May 26, 2013

Ek Ghazal

غزل

کوچہ عشق میں قیام کر لیا ہم نے

سارا غم اپنے نام کر لیا ہم نے


 جانتا تھا وہ تغافل  ہی کرینگے   لیکن  
 ملے جب بھی ان کو سلام کر لیا ہم نے


معلوم تھا کس نے جلائی ہیں بستيا ساری 

اس لئے تو سارا الزام سر لیا ہم نے


وہ وعدہ کر کے بھی کہاں آتے ہیں بھلا

  نہ جانے کیوں یہاں پہ شام کر لیا ہم نے


ختم کر دی سانسوں کی کہانی ایک دن عبد

  جو بس میں تھا میرے وہ کام کر لیا ہم نے


ग़ज़ल  .......................................................................................GHAZAL



कुच-ए -इश्क़ में क़याम कर लिया हमने                    Kuche-e-ishq mein qayam kar liya hum ne
सारा ग़म अपने नाम कर लिया हमने                       sara gham apne naam kar liya hum ne

मैं जनता था वो तगाफुल ही करेंगे लेकिन                 Main janta tha wo taghaful hi karenge lekin 
 मिले जब भी उनको सलाम कर लिया हमने            Mile jab bhi unko salaam kar liya hum ne 

मुझे मालूम था किसने  जलाई हैं बस्तिया सारी        Mujhe maloom that kisne jalai hai bastiyan sari
इसलिए तो सारा इलज़ाम सर लिया हमने               Is liye to sara ilzam sar liya hum ne

वो वादा कर  के भी कहाँ आते  हैं भला                     Wo wada kar ke bhi kahan aate hain bhalaa 
 न जाने क्यों यहाँ पे शाम कर लिया हमने               Na jane kyon yahan pe sham kar liya hum ne

ख़त्म कर दी सांसों की कहानी एक दिन 'अब्द'       Khatm kar di sanson ki kahani ek din ABD
 जो बस में था मेरे वो काम कर लिया हमने           Jo bas mein that mere, wo kaam kar liya hum ne

Thursday, May 23, 2013

EK TAZA GHAZAL

ग़ज़ल 


मैंने चाहा  उन्हें, उनको  मुझसे प्यार न हुआ 
मेरी वफाओं का  उनको  ऐतबार  न हुआ 


न मौजों का पता है न साहिल की  खबर 
बहर-इ-इश्क में जो कूदा वो कभी  पार  न हुआ 

खिजां थी मेरी किस्मत वही मुझको मिली 
मेरे गुलशन में कभी मौसम-ए - बहार न हुआ 

जुर्म-ए -उल्फ़्त का इलज़ाम था हम पे 
उनसे इकरार न हुआ हमसे  इंकार न हुआ 

जिसके लिए हम ने तो सदियाँ गुज़ार  दी 
उस बेवफा से दो पल भी इंतज़ार न हुआ