Tuesday, November 13, 2012

From my old Scrapbook


The Time of the TIME







Sitting idle and killing TIME,
You blame the TIME for being merciless

Trying to cheat and beat the TIME
You cry foul when the TIME plays tricks on you

You yell at the TIME for walking too fast
While trying really hard to be ahead of the TIME.

The TIME you say has no sense of time and
You allege the TIME for arriving at your doorsteps untimely

Have you ever seen
Morning arriving late in the evening.
Or the night sleeping till late in the morning
Have you ever seen that there was 2 ‘O’ clock at 4 p.m?

Sunday, November 04, 2012

My Interview of Nayantara Sahgal


Indira and India

ABDULLAH KHAN
Nayantara Sahgal. Photo: V Sreenivasa Murthy
The HinduNayantara Sahgal. Photo: V Sreenivasa Murthy
We have “ruling families” all over the country, so why single out Sonia and Rahul Gandhi, asks Nayantara Sahgal.
Just released 'Indira Gandhi: Tryst With Power' by Nayantara Sahgal is an in-depth study of Indira Gandhi‘s style of functioning and political leadership which, according to the author, “marked a drastic break with the democratic tradition of her family and Indian politics.” As a member of the Nehru-Gandhi extended family, Nayantara Sahgal had observed her cousin Indira at close quarters and had access to the kinds of documents which an outsider can’t think of laying their hands on. That is why this beautifully written book gives its readers an opportunity to have a peek in to the mind of enigmatic Indira Gandhi. In this interview, Sahgal talks about Indira, India and dynastic succession in politics.
Tryst with Power is different from the other biographies of Indira Gandhi because it gives an insight into her inner life. Please tell us how this book was conceptualised. Do you think it would have been possible for anybody else to write such an intimate biography?
It is not a biography but a study of her political style. It interested me because her style was a definite departure from that of her two predecessors and from the way the Congress party had functioned until then. The book started as a paper I was asked to contribute to a conference on "Leadership in South Asia" at SOAS (School of Oriental & African Studies), London University, in 1974. When my conclusion that we were heading toward authoritarian rule proved to be correct, I expanded it into a book. As a close relative I was able to give it a personal dimension.
What do you think about Indira Gandhi’s decision to intervene in the Bangladesh liberation war? Who benefited from its outcome, India, Indira Gandhi or both?
It was an act of statesmanship and great courage to support East Bengal’s fight to restore its elected government. The whole region benefited by the result, Bangladesh most of all.
How do you look at the stunning defeat of Indira Gandhi in 1977 and then her miraculous rise, like a proverbial phoenix, three years later?
Indians rejected authoritarian rule in 1977 when they defeated the Congress. Equally they showed their good sense in re-electing Indira Gandhi and the Congress party three years later, because the quarrelling coalition of the Janata Party had let them down so badly, failing to punish those who had been responsible for the Emergency’s excesses.

Saturday, November 03, 2012

A Review in Hindu Literary Review


Mystical musings

ABDULLAH KHAN
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Rumi: A New Translation; Farrukh Dhondy.
Special ArrangementRumi: A New Translation; Farrukh Dhondy.
This book offers a great excuse to revisit the poetry of Rumi.
Rumi: A New Translation; Farrukh Dhondy, Harper Perennial, Rs.299.
Reynold A. Nicholson, renowned English Orientalist and Islamic scholar, once said of Sufi mystic and poet Mevalana Jalaluddin Rumi: “The influence of his example, his thought and his language is powerfully felt through all the succeeding centuries; every Sufi after him capable of reading Persian has acknowledged his unchallenged leadership. To the West, now slowly realising the magnitude of his genius ... he is fully able to prove a source of inspiration and delight not surpassed by any other poet in the world’s literature.”
Nicholson made this statement many decades ago but it still holds true. While Rumi has been widely read for the last eight centuries in countries where Persian is spoken, he has now become popular in Europe and the U.S. When it comes to rendering Rumi’s works into English, prominent names include Reynold A. Nicholson, Arthur John Arberry, Coleman Barks and Nadel Khalili. Both Nicholson and Arberry were British scholars and translated Rumi’s poetry either literally or semi-literally. But, the person who made Rumi a household name in the U.S., Coleman Barks, doesn’t know Persian and his translations are not actually translations but reinterpretations of English translations. That is why many critics point out that Barks’ translations (despite their popularity among general readers) are superficial. Another translator Nadel Khalili was a native of Iran and familiar with the essence of Rumi’s mystical musings. But Khallili could not replicate the rhyme schemes of Rumi.
When Farrukh Dhondy, the well known novelist and screenplay writer, embarked on a mission to render Rumi’s poetry in English, he kept three things in his mind. One, the English version should have the fragrance of the original verses. Two, the translation of a poem should be a poem. Three, he would stick to Rumi’s rhyme schemes. The result of his labour is delightful.
Dhondy’s translations reflect that he understands the cultural and philosophical context of Rumi’s poetry. Though, like Barks, he is not a scholar of Persian language but understands Urdu, a language which borrows heavily from Persian vocabulary. And that might have helped him to decipher the real Rumi. This offering is a beautiful excuse for us to revisit Rumi.

Friday, November 02, 2012

EK GHAZAL

 एक  ग़ज़ल 
कई ख्वाब उसकी आँखों में पिघलते देखा
 मैंने अरमानों को सांसों में जलते देखा 

रुख पे थी बेबसी और मायूसी निगाहों में
पर धडकनों  में उम्मीदों को पलते देखा 

कल चुप चाप  थी  समंदर की लहरें  लेकिन
उसके साहिल को हर पल ही  मचलते देखा 

उसने देखा मुझे आज एक  अजनबी की तरह
और मैंने आज एक दोस्त को बदलते देखा 

चोट लगती थी जिनको  फूलों से भी अब्द
 उसे आज मैंने काँटों पे भी चलते देखा 



Abdullah Khan 'Abd'


Sunday, September 02, 2012

My Review of Nikita Lalwani's The Village



LITERARY REVIEW, September 2, 2012

 FAKING MOVIES

The ‘Gifted’ writer—gifted  used literally as well as metaphorically—Nikita Lalwani’s  debut book was  gem of a novel. The readers liked it. The critics loved it. A story about a child prodigy growing up in 1980s Cardiff, Gifted was published in 2007 and  collected a Booker longlist and a Costa shortlist on its way to be declared winner of the inaugural Desmond Elliott Prize.  And now, Nikita’s second novel, The Village, is just out. By any yardstick, this is a decent work of fiction. But, please don’t try to compare it with her first novel.

In An Open Prison

In The Village, the story begins when three Britishers arrive at an open prison called Aishwer, somewhere in north India, to make a documentary film for BBC on the lives of the people living there. Built as a part of prison reform measures, the prison village resembles a typical Indian village which has bare minimum amenities and all the signs of poverty.  But there is a difference. Each household in this village has one person who has killed somebody and is serving a life term.  

Among the BBC crew is the director of the documentary Ray Bhullar who is of Indian decent,  a virgin and strict vegetarian. Serena, the domineering producer, and Nathan, the ex-criminal and eccentric presenter, are other members of team.

 Initially, things go as planned by Ray i.e. to make a documentary following all the professional and personal ethics. But, then her boss from London pressurises her to add melodrama, conflicts and tears to make the documentary emotionally appealing.  A conscientious person, Ray finds it morally difficult to follow her boss’s orders.
Unlike Ray, Nathan and Serena are more ‘practical’ and are willing to cross the border of morality if it is required to make their programme successful. They manipulate and instigate the prison inmates for the desired footage for their documentary film and, in doing so, they disturb the precariously balanced equilibrium of the prisoners’ mundane lives. The novel opens a bit slowly and becomes even more sluggish as we progress. It picks up pace in the second half, throwing some surprises that are the soul of this offering.

Ray is a properly fleshed out character and her moral dilemma is portrayed impeccably except nothing is known of her background. This reviewer feels that the back story about the protagonist would have made the story more interesting and added a few more layers to the character. Serena and Nathan, on the other hand, are underdeveloped characters. The motivation behind Ray’s fascination for Nathan is also left unexplained.

Satisfying Denouement

Nikita’s writing shines when she tells us about the ambience of the village. The descriptions of open prison transport us to the village and we feel like watching a 3-D movie.  She also does a great job while introducing the inmates of Aishwer to us. Characters like Nandita, Daulath and Ram Payari have been so perfectly etched out that we immediately empathise with them and crave to read more about them.

The best thing about this novel is that it has a very satisfying denouement and it delivers more than what it promises at the beginning.  Plus, it raises a very important question about  reality TV:  How real are the reality ?





My Review of Taj Hassan's Debut Novel in The Hindu


LITERARY REVIEW
September 2, 2012
-------------------------------------

Uni-dimensional

The author, Taj Hassan, has made good use of his experience as an IPS officer in the naxalite affected areas while coming out with this insightful novel about the Maoist insurgency. Had his editor invested a little more time and energy and guided the author in shaping this novel up properly, The Inexplicable Unhappiness of Ramu Hajjam, would have been a great book.

Contemporary Ring

The story is mostly set in two fictional villages of Bihar. One village, Tesri, is inhabited by so called low caste people and most of them are either menial labourers or are some kind of small time businessmen. The other village, Bhagatpur, has predominant population of high caste farmers. The main protagonist of this story, Ramu Hajjam, is a poor barber from Tesri who makes his living by running a roadside saloon. One day, Ramu the barber accidentally cuts Subedar Singh’s cheek. Subedar, a high caste man from Bhagatpur, beats Ramu badly for this small mistake. This incident infuriates Ramu’s only son Pawan and he decides to avenge the insult to his father. Pawan runs away from home and joins a Maoist group. The things change for the residents of Tesri and Bhagatpur as a bloody game of violence and counter violence unfolds before their eyes.


Thematically speaking, it is an attention-grabbing book as the Maoist violence and the anti-insurgency operations by the government always remain in the news. The author’s use of multiple point of views suits the story and the use of slangs adds local colour to the prose. However, his failure to do full justice to the two main characters is a negative aspect of this work of fiction. Ramu Hajjam, the chief protagonist, is well chiseled character but he does not get as much space as he deserves. By showing more of Ramu’s back stories, the author would have made this character more interesting and more convincing. Another major character, Achal Singh Mukhiya, the feudal lord of Bhagatpur, is shown as one dimensional creature as one never gets chance to hear his inner voices. In other words, Mukhiya gets the caricature treatment. Further, Pawan’s journey from a village teenager to a hardcore Maoist is too hurried.
     
Despite these flaws, the novel is successful in taking its readers to the hinterland where the presence of government is negligible and where the brutal inequality and appalling poverty breed extremist ideologies like naxalism. A decent first attempt by the author. This reviewer will definitely look forward to read his next book.

Monday, July 30, 2012

EK GHAZAL

EK GHAZAL 

तेरा होना एक ख्वाब सा है 
सेहरा में एक सराब सा है 

जिसके बोसे से जल गया अक्स मेरा 
वो चेहरा कुछ गुलाब सा है 

मुन्जमिद है इसलिए सख्त है 
वरना इस प्याले में कुछ आब सा है 

वैसे कहता है मुहाफ़िज़ खुद को
लेकिन शक्ल से सैय्याद सा है

ग़म-ए-हिजरां का क्या ज़िक्र करें अब्द
उसका विसाल भी कुछ अज़ाब सा है





 सराब: mirage,  बोसे: Kisses, मुन्जमिद: solid,  आब : Water, मुहाफ़िज़: protector,
 सैय्याद :Hunter, killer, ग़म-ए-हिजरां: pain of separation,  अज़ाब , ordeal

Wednesday, June 13, 2012

My Review of BEAUTIFUL COUNTRY

Published in THE BOOK REVIEW, June,2012



THE DARK UNDERBELLY OF THE SHINING INDIA

On the cover of this elegantly written reportage-cum-travelogue is a shabbily dressed teenage girl holding a toddler. In the background we see the thatched houses and many tell-tale signs of extreme poverty. From the cover photograph itself you have a fair idea what this book is all about. At the top of the cover it reads Beautiful Country: Stories from Another India. The title is apt because the stories here are, of course, from another India; an India which is different from the India portrayed by the worshippers of mindless consumerism and votaries of crony capitalism. This India doesn’t shine and remains unaffected by the impact of double digit growth. This is, in fact, the dark underbelly of one of the world’s fastest growing economies where majority of Indian citizens live. They are ‘resilient and courageous women and men of India whose ordinary lives and extraordinary spirit inspired the author duo, Syeda Hameed and Gunjan Veda to write this book.
 Beautiful Country chronicles the journey undertaken by Syeda Hameed, the social activist and member of Planning Commission, and Gunjan Veda, journalist, to that another India, the India of villages and small town. And what they observed during their visits was quite disconcerting. From a river island of Assam to the tribal areas of Andaman Nicobar, from the freezing valleys of Ladakh to the backwaters of Alleppy in Kerala, they criss-crossed the entire country taking notes of the daily lives of the people living away from the glitz and glamour of the big cities. During their voyage they encountered the people and visited the places which rarely appear in the mainstream media.
Somewhere in this book the authors take us to Daniyalpur, Varanasi, and we are introduced to Maimun Nisa and her son. And it goes like this: Thin face, sunken eyes, hollow cheeks, a frayed light pink dupatta covered her head. Her son, Imran, was tiny and had the face of an old man—shrivelled and shrunk. His feet were so thin that we wondered if he would ever be able to walk. His head seemed too big for his small frail body. These lines speak volumes about the so-called growth that our country has witnessed during the last two decades. Clearly, much applauded Manmohanomics has failed to bring noteworthy change in the lives of the people on the margins. Across the country there are many Daniyalpurs, there are many Maimun Nisas and many Imrans. If we move further, we see a school being run under open sky in Kashmir, thousands of people going untreated on the river islands in Assam, the men and women working on handlooms from dawn to dusk for meagre salaries in Malegaon, the women and the children dying in the tribal areas of Maharashtra and elsewhere in the want of basic medical facilities. Go further and more stories of misery and deprivation will pour in.
 Are we, as responsible citizens of this country, doing our bits for our less privileged fellow Indians? Or at least are we giving voice to their concerns? Perhaps, not. But, there are many individuals whose selfless services are changing the lives of the millions. In Assam we have Sanjoy Hazarika, a former New York Times correspondent who is managing trustee of the Centre for North-east studies and Policy research (C-NES). C-NES is agency behind the idea of boat clinics which reach out to thousands of people living on the different islands of Brahmaputra River.  Then, there are a group of doctors who have left their lucrative jobs and comfortable lives in the metros for serving the poor tribals of Chhattisgarh. Syeda and Gunjan tell us about many such courageous men and women who, in their own small ways, are making a difference.
What strikes me most in this book is the tone of the prose which is laced with empathy and honesty. The authors don’t hesitate to accept that as a nation we have failed to take care of our people on the margins. This fact is generally not acknowledged by our politicians and bureaucrats. For example, in the foreword of this book, Dr Montek Singh Ahluwalia, Deputy Chairman of Planning Commission, lauds Syeda and Gunjan for their remarkable work but at the same time he is reluctant to accept that the bureaucracy has failed when it comes to taking governance to the downtrodden and poor people. At the very end of the foreword, he attempts discreetly to dilute the seriousness of the book. This has been the biggest problem with our bureaucratic set up that they never accept the reality and try to hide the truth under the carpet of the statistical data. So, instead of doing the real work most of them --but not all— are busy stacking data.
 About this book, Khushwant Singh says, ‘The truth about India’s development, as told by those who know it, makes for a compelling read.’ I can’t agree more but would like to add that it also makes for a disturbing read. At the end of this review I would like to quote four lines from Allama Iqbal’s Bal-e-Jibrail (Gabriel’s Wing) which the authors have quoted at the beginning of the book.
 Khol ankh zamin dekh falak dekh fiza dekh
Mashriq se ubhartey huey suraj ko zara dekh
Iss jalwa-e-beparda ko pardon mein chhupa dekh
Ayyam-e-judai ke sitam dekh jafa dekh

Open your eyes, look at the earth and the sky
Look at the sun rising gloriously in the east
Look at its unveiled glory hidden behind veils
Suffer the pain and torture of days of deprivation
 This offering, undoubtedly, is going to be an eye opener for those who have not seen the real India, yet.
Reviewed by: Abdullah Khan (abdullah71@gmail.com) 




CLICK HERE FOR THE Scanned copy of the review