Patna
Blues' author Abdullah Khan on ambition, the ordeal of civil service exams and
George Orwell
Living Aishwarya Sahasrabudhe Sep 11, 2018 09:17:04 IST
Years ago, a young man from a
village near Motihari discovered George Orwell in one of his brother's books.
He was already a bookworm by then, a teenager passionate about the written word
with opinions on a wide range of issues.
In Animal Farm, one of Orwell's finest
allegorical works, he read that the English author was also born in his Bihar hometown,
and from there began the journey of Abdullah Khan, 'the bumpkin from a village'
who went on to write a book in the English language, as he puts it.
The author
of Patna Blues, Khan breathes life into the capital city of Bihar
presenting it as an important character and a backdrop against which he sets
the coming-of-age story of a young boy, Arif, and his ambition to crack the
civil service examinations.
In an interview
with Firstpost, Khan talks about his novel, the significance of civil
services among middle-class youth and his life, which went from being a simple
village boy to becoming a townie moving from city to city.
How did the idea for Patna Blues come
about?
The idea began
to take shape when I was still in college. I used to write for some local
newspapers, The Times of India and Hindustan Times on various issues.
So I was always keen on writing. And when I came to Patna in 1987 from my small
village, it was a new experience. Patna was some sort of a mythical place
for a village boy who had never seen a big city. Everything was different. In
my village, there was no electricity, no running water, and all these things
were new to me. So I got interested and started exploring this city and
was astonished to find that Patna was one of the world's oldest
cities to have been continuously inhabited. There were descriptions of
this city in Megasthenes' works. They had written about Patna and this kind
of interest inspired me to write a book about the city.
Initially, I
wrote a story where the narrator was Patna, like in Mughal-e-Azam wherein the narrator is
India. But it did not work out so I junked that idea and thought of a story
where Patna is a character present everywhere.
Abdullah Khan's Patna Blues traces the story of
Arif, an ambitious boy whose only dream is to crack the civil services
examination and become an IAS officer.
What was it like growing up in Pandari?
In one way, village life was
simple because your needs were limited. You had a lot of space, fresh
air. You would get up in the morning, have breakfast and go to school. You need
not wait for the school bus.
But from another perspective,
in a village everyone is related to you and wherever you go, you are
being watched.
So if you are playing, even
someone who is distantly related to you would come over and ask why you
were wasting your time, why you won't go and study, why you were bunking class.
Then the news would reach your mother and when you went home you would be
welcomed 'superbly'.
As a newcomer to a big city, what were some of the
challenges you faced?
Essentially the
challenge was the language. There was no proper school in my village so
initially, I was educated in a madarsa which is an Islamic seminary. Here
I was studying the holy scriptures — Quran, Hadith — and was mostly exposed to
Urdu and subsequently to Hindi. So when I arrived in Patna all my classmates
were, obviously, better than me, they knew English better than me. That
was the biggest challenge.
And I was a science student so
I did not have the option to pursue my studies in Hindi. The chemistry and
physics books were in English. In spite of being good at science, my biggest
challenge was to understand the subject. I had to first consult the dictionary
to understand what was written in the books. And maintaining my confidence,
keeping up with my classmates, that was another challenge.
Did you ever face any discrimination because of who you
are or where you come from? How did you tackle it?
It happened. In my village, I
came from a caste which was considered a high caste. But when I went to study
in the madarsa, the majority of students were Sheikhs and there was some sort
of a rivalry between the Sheikhs and Pathans. Sheikhs are mostly better educated
than Pathans but Pathans say, 'we are the fighters, our forefathers used
to be the rulers.' It was a false sense of pride, they were mostly poor
with no education but they would still dominate. So if a fight broke out,
a Pathan would have an upper hand, psychologically.
So in my school
which was in a village called Chandanbada, two to three kilometers from my
village, a majority were Sheikhs and they used to tease me, 'Pathan-Shaitan'. Sometimes I cried but
my uncle was a maths teacher in the same school and one day I told him
about this and he took care of those guys.
Did that change your views about religion or about your
roots and faith?
It changed my perception but
in a different way. When I got out of my village and arrived in a small town, I
happened to meet many people who would talk about Muslim kings, about how they
were brutal and try to make me feel guilty. And at the age of 12-13, I used to
feel guilty. I used to ask, 'Why did they do so? Now I am answerable for
their actions.'
But in the course of time, I
started to get the feeling that I should never judge anyone on the basis
of caste or religion. I started accepting everyone, whether the guy was a
Dalit, Muslim, Hindu, Christian or Punjabi. I lived in Gujarat, Andhra Pradesh,
Punjab, Uttar Pradesh, even in Ayodhya, and I have wonderful relations with
everyone there.
I was a good
friend of a senior functionary of some Hindu parishad in Uttar
Pradesh and at the time of the Sabarmati incident, this guy came to my
office in our small town of Basti and said, "Khan saab, something may happen in our
city." Ultimately nothing happened but he was kind enough to come to my
office and drop me to my house. He was actually underground at the time because
he had instigated some Hindu-Muslim riots and the police were after him.
Why did you take up civil service examinations as an
issue in your work?
Because it was a very common
sight. My father also wanted me to appear for civil service examinations but I
was not interested, I wanted to pursue media studies. But my father was very
keen and I appeared for the prelims. I did not clear the exams. And around
me, there were so many guys, so many cases of burnouts who would spend
10-15 years preparing for the exams and at the end of the day, they would get
nothing.
One of the guys even committed
suicide. His father was a well-known advocate but this guy was so passionate
about the IAS exam that after he failed to clear the fourth attempt,
he went to the Gandhi Setu and jumped. His body was fished out from the river
three-four days later. So I thought all these stories should be told because
civil services is a general aspiration of the middle-class Biharis.
In Patna, you would find 50-60
guys out of 100 who would try for civil services.
Has Orwell influenced your work?
No, Orwell
influenced me in a different way. When I passed my 12th and was starting with
BSc, I had read only a few novels in English, I was reading Hindi and Urdu
and I was not aware of the existence of George Orwell. In the early 90s when my
brother was doing his BA, he got a book in which there was a story called Animal Farm. The book
said that the author was born in Motihari so I read about him
and found that he was considered to be one of the greatest writers of the
20th century. So I thought if this guy from my hometown was such a
splendid writer, I could be a writer too.
And my next
novel titled Aslam, Orwell and a Pornstar, is specifically about
Geroge Orwell. In the book a guy called Aslam Sherkhan is born in the same
house as Orwell and begins to believe that he is in fact the incarnation of
George Orwell. It is set in Motihari and Los Angeles.
Was reading a habit you cultivated over time?
Actually, it all
started when I was five or six years old and my father gifted me the Balbharati.
At the time I was not aware
that books existed beyond the classroom.
So I asked him, "What is
this book? Is it for class?"
And he said 'no,
this is a storybook. Similar stories like the ones you hear from your dadi or your mother are
written here.' I was fascinated.
Then, when I was
in class seven one of Patna's Hindi newspapers, Pradeep, published a serialised
version of Devkinandan Khatri's Chandrakanta and I got addicted
to that. This was the first instigation and soon after I shifted to my nanaji's place, where my maternal
uncle had big almirah full of books, mostly pulp fiction, and in one year
I had finished reading the entire cupboard full of books.
What are some of your favourite works?
I am very fond
of Phanishwar Nath 'Renu', Premchand, Manto, and Chughtai. I used to
read Deputy Nazeer Ahmed's didactic novels. But the influence on my writing is
mostly that of Renu because he was the person who has portrayed the
rural life in his works like Teesri Kasam.
Updated Date: Sep 11, 2018
09:17 AM
Tags :
Patna
Blues' author Abdullah Khan on ambition, the ordeal of civil service exams and
George Orwell
Living Aishwarya Sahasrabudhe Sep 11, 2018 09:17:04 IST
Years ago, a young man from a
village near Motihari discovered George Orwell in one of his brother's books.
He was already a bookworm by then, a teenager passionate about the written word
with opinions on a wide range of issues.
In Animal Farm, one of Orwell's finest
allegorical works, he read that the English author was also born in his Bihar hometown,
and from there began the journey of Abdullah Khan, 'the bumpkin from a village'
who went on to write a book in the English language, as he puts it.
The author
of Patna Blues, Khan breathes life into the capital city of Bihar
presenting it as an important character and a backdrop against which he sets
the coming-of-age story of a young boy, Arif, and his ambition to crack the
civil service examinations.
In an interview
with Firstpost, Khan talks about his novel, the significance of civil
services among middle-class youth and his life, which went from being a simple
village boy to becoming a townie moving from city to city.
How did the idea for Patna Blues come
about?
The idea began
to take shape when I was still in college. I used to write for some local
newspapers, The Times of India and Hindustan Times on various issues.
So I was always keen on writing. And when I came to Patna in 1987 from my small
village, it was a new experience. Patna was some sort of a mythical place
for a village boy who had never seen a big city. Everything was different. In
my village, there was no electricity, no running water, and all these things
were new to me. So I got interested and started exploring this city and
was astonished to find that Patna was one of the world's oldest
cities to have been continuously inhabited. There were descriptions of
this city in Megasthenes' works. They had written about Patna and this kind
of interest inspired me to write a book about the city.
Initially, I
wrote a story where the narrator was Patna, like in Mughal-e-Azam wherein the narrator is
India. But it did not work out so I junked that idea and thought of a story
where Patna is a character present everywhere.
Abdullah Khan's Patna Blues traces the story of
Arif, an ambitious boy whose only dream is to crack the civil services
examination and become an IAS officer.
What was it like growing up in Pandari?
In one way, village life was
simple because your needs were limited. You had a lot of space, fresh
air. You would get up in the morning, have breakfast and go to school. You need
not wait for the school bus.
But from another perspective,
in a village everyone is related to you and wherever you go, you are
being watched.
So if you are playing, even
someone who is distantly related to you would come over and ask why you
were wasting your time, why you won't go and study, why you were bunking class.
Then the news would reach your mother and when you went home you would be
welcomed 'superbly'.
As a newcomer to a big city, what were some of the
challenges you faced?
Essentially the
challenge was the language. There was no proper school in my village so
initially, I was educated in a madarsa which is an Islamic seminary. Here
I was studying the holy scriptures — Quran, Hadith — and was mostly exposed to
Urdu and subsequently to Hindi. So when I arrived in Patna all my classmates
were, obviously, better than me, they knew English better than me. That
was the biggest challenge.
And I was a science student so
I did not have the option to pursue my studies in Hindi. The chemistry and
physics books were in English. In spite of being good at science, my biggest
challenge was to understand the subject. I had to first consult the dictionary
to understand what was written in the books. And maintaining my confidence,
keeping up with my classmates, that was another challenge.
Did you ever face any discrimination because of who you
are or where you come from? How did you tackle it?
It happened. In my village, I
came from a caste which was considered a high caste. But when I went to study
in the madarsa, the majority of students were Sheikhs and there was some sort
of a rivalry between the Sheikhs and Pathans. Sheikhs are mostly better educated
than Pathans but Pathans say, 'we are the fighters, our forefathers used
to be the rulers.' It was a false sense of pride, they were mostly poor
with no education but they would still dominate. So if a fight broke out,
a Pathan would have an upper hand, psychologically.
So in my school
which was in a village called Chandanbada, two to three kilometers from my
village, a majority were Sheikhs and they used to tease me, 'Pathan-Shaitan'. Sometimes I cried but
my uncle was a maths teacher in the same school and one day I told him
about this and he took care of those guys.
Did that change your views about religion or about your
roots and faith?
It changed my perception but
in a different way. When I got out of my village and arrived in a small town, I
happened to meet many people who would talk about Muslim kings, about how they
were brutal and try to make me feel guilty. And at the age of 12-13, I used to
feel guilty. I used to ask, 'Why did they do so? Now I am answerable for
their actions.'
But in the course of time, I
started to get the feeling that I should never judge anyone on the basis
of caste or religion. I started accepting everyone, whether the guy was a
Dalit, Muslim, Hindu, Christian or Punjabi. I lived in Gujarat, Andhra Pradesh,
Punjab, Uttar Pradesh, even in Ayodhya, and I have wonderful relations with
everyone there.
I was a good
friend of a senior functionary of some Hindu parishad in Uttar
Pradesh and at the time of the Sabarmati incident, this guy came to my
office in our small town of Basti and said, "Khan saab, something may happen in our
city." Ultimately nothing happened but he was kind enough to come to my
office and drop me to my house. He was actually underground at the time because
he had instigated some Hindu-Muslim riots and the police were after him.
Why did you take up civil service examinations as an
issue in your work?
Because it was a very common
sight. My father also wanted me to appear for civil service examinations but I
was not interested, I wanted to pursue media studies. But my father was very
keen and I appeared for the prelims. I did not clear the exams. And around
me, there were so many guys, so many cases of burnouts who would spend
10-15 years preparing for the exams and at the end of the day, they would get
nothing.
One of the guys even committed
suicide. His father was a well-known advocate but this guy was so passionate
about the IAS exam that after he failed to clear the fourth attempt,
he went to the Gandhi Setu and jumped. His body was fished out from the river
three-four days later. So I thought all these stories should be told because
civil services is a general aspiration of the middle-class Biharis.
In Patna, you would find 50-60
guys out of 100 who would try for civil services.
Has Orwell influenced your work?
No, Orwell
influenced me in a different way. When I passed my 12th and was starting with
BSc, I had read only a few novels in English, I was reading Hindi and Urdu
and I was not aware of the existence of George Orwell. In the early 90s when my
brother was doing his BA, he got a book in which there was a story called Animal Farm. The book
said that the author was born in Motihari so I read about him
and found that he was considered to be one of the greatest writers of the
20th century. So I thought if this guy from my hometown was such a
splendid writer, I could be a writer too.
And my next
novel titled Aslam, Orwell and a Pornstar, is specifically about
Geroge Orwell. In the book a guy called Aslam Sherkhan is born in the same
house as Orwell and begins to believe that he is in fact the incarnation of
George Orwell. It is set in Motihari and Los Angeles.
Was reading a habit you cultivated over time?
Actually, it all
started when I was five or six years old and my father gifted me the Balbharati.
At the time I was not aware
that books existed beyond the classroom.
So I asked him, "What is
this book? Is it for class?"
And he said 'no,
this is a storybook. Similar stories like the ones you hear from your dadi or your mother are
written here.' I was fascinated.
Then, when I was
in class seven one of Patna's Hindi newspapers, Pradeep, published a serialised
version of Devkinandan Khatri's Chandrakanta and I got addicted
to that. This was the first instigation and soon after I shifted to my nanaji's place, where my maternal
uncle had big almirah full of books, mostly pulp fiction, and in one year
I had finished reading the entire cupboard full of books.
What are some of your favourite works?
I am very fond
of Phanishwar Nath 'Renu', Premchand, Manto, and Chughtai. I used to
read Deputy Nazeer Ahmed's didactic novels. But the influence on my writing is
mostly that of Renu because he was the person who has portrayed the
rural life in his works like Teesri Kasam.
Updated Date: Sep 11, 2018
09:17 AM
Tags :
No comments:
Post a Comment